Jigsaw & Wavyy Hats
By
all knitwear
44
$
100
Of A
Kind
Kind
11
Nov
2012
Fastest way to perk up your winter: Pull on one of these hats. Knit in Brooklyn, these wild ‘n crazy guys deliver a dose of happy to your otherwise neutral (er, drab?) outerwear situation. Oh, and right: They keep your ears toasty, too.
What to know: Handmade in Brooklyn and Minneapolis; 100% ringspun cotton with ribbed cuff and pompom.
What to know: Handmade in Brooklyn and Minneapolis; 100% ringspun cotton with ribbed cuff and pompom.
Meet The Designer
all knitwear
Annie Larson had never knit anything when she bought her Brother KH 910—a 1980s knitting machine—in January of 2009. “I was really attracted to it. I had never seen anything like it before,” says the Wisconsin native who moved to Minneapolis for college and has since made her way to Brooklyn. “After seeing how the machine knit patterns, the needles moving backward and forward selecting different yarns, I was completely sold! The first few things I ever knit were miniature stockings, dishtowels, and eventually a cardigan.”
Within a matter of months, Annie quit her job at Target HQ where she had worked on design for the juniors Xhilaration line and men’s sweaters—and where she first developed an interest in knits. Turning to her label ALL Knitwear full-time, she quickly developed an amazingly strong—and easily identifiable—point-of-view that has won her quite a fan base as she’s headed east, updated her knitting arsenal, and grown her business. “The patterns I use are often high-contrast, in classic primary and secondary colors and in motifs that have geometric qualities,” Annie explains. “And I use simple shapes like a classic crewneck or stocking hat to maintain a simple, clean appearance.” Another way to describe all of Annie’s pieces: They make you smile.
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Behind The Scenes
A Tour of Annie Larson’s Brooklyn Pad
“I’ve wanted to move to New York ever since—well, for a long time,” says Annie Larson, whose career started at Target HQ in Minneapolis, where she eventually launched her bold knitwear line in 2009. “This place is just so exciting—nobody can deny that.” What’s also exciting is that she and her artist BF, Eric Carlson, scored themselves a borderline-palatial Bushwick, Brooklyn, home last October. “We came out to look, and we found a place in the first half day. We just went shopping for the rest of the time,” Annie adds. Take a look at how they set up their pad when they moved in. —erica“This is sort of our office. My computer is the desktop, and Eric’s is the laptop—we sit on either side, like relationship corner.”“That graphite drawing is one of Eric’s pieces. He does illustration, he does book design, he does physical installations, and he’s done skateboards and snowboards. We really had to pare down our record and tape collection when we moved—records are especially heavy. John Lennon is always on heavy rotation, and George Harrison has been getting some more play recently. I love classic rock, almost exclusively. Eric has more diverse taste.”“We don’t have that many closets, so before we left Minneapolis, we bought 12 of these uniform white boxes that we call our deep storage. We each have six. I have one that’s called the Fashion Time Capsule. I’ve wanted to throw away so much of my old work over the years—stuff from college, stuff from before college, stuff I was working on when I was at Target—but I’ve dissuaded myself from it.”“That crazy quilt has been in my family a while. We’re trying to figure out how to store shoes—that’s been a major issue.”“There are some pretty amazing rugs on Etsy—I bought this one there. I found an acrylic one from the seventies in the shape of a tiger that’s so amazing. I had it in my basket, but when I showed it to Eric, he wasn’t into it at all. I think that if he came home and saw a tiger in our apartment—if it was already there, which it very easily could be at any time—what would he do, throw it away?”“That’s my studio. I actually got rid of like 60% of my yarn stock before I left Minnesota. I recently bought a new knitting machine and some software. Now I do all my patterns on a computer and plug the machine in. It’s amazing—I can do so many different things.”“The cast-iron rack actually came from my parents’ basement. We did a major sorting out of our hangers before we left. I got all of our hangers onto one rail and walked through like, ‘This one’s gone, this one’s gone, this one’s gone. We’re not keeping any that are electric blue, we’re not keeping any that are white, and we’re not keeping any that are thick.’ My whole theory of moving is not to move anything we don’t want.”
Annie’s back with an Alumni Sunday edition! Make sure you don’t miss it!
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